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August Sander Collection

August Sander

August Sander Collection image
Peasant family, c. 1920s - 1930s ©Die Photographische Sammlung | SK Stiftung Kultur | August Sander Archive, Cologne

August Sander Collection

One of the great documentary portrait photographers, this collection comes from August Sander's attempt to create a photographic portrait of the German people, developed in the 1920s and 1930s.
  • Photographic
  • Historical Documentary
  • Portraits
  • International Documentary
  • Historical
  • World

Purchased from Sander’s son in the late 1970s, these images are deposited in the AmberSide Collection because of their deep commitment to documenting life with honesty and clarity. Sander's photographic approach aligned with Amber’s ethos of capturing social realities without embellishment, reflecting the lived experiences of ordinary people - making Sander’s documentary photography a vital reference point within the collection.

August Sander (1876–1964) was a German photographer best known for his ambitious project, People of the Twentieth Century, which sought to document the social landscape of early 20th-century Germany. Born in Herdorf, Germany, he began his career assisting a local photographer before establishing his own studio in Cologne in 1910.

As a practitioner of New Objectivity, an avant-garde movement that rejected abstraction and idealisation in favour of realism, Sander approached photography with a clear, methodical style. His portraits captured individuals from a wide range of professions and social classes, offering an unembellished view of German society during the Weimar Republic.

His systematic approach grouped subjects into categories such as farmers, skilled tradesmen, women, and artists, creating a structured yet deeply human archive of the time. This commitment to realism, however, put him at odds with the Nazi regime, which saw his unfiltered portrayal of German society as politically problematic. Despite censorship and personal hardships, his work endured, influencing generations of documentary photographers. Today, his legacy is preserved in major collections, including the AmberSide Collection, and continues to shape the visual language of social documentary photography.

© Die Photographische Sammlung | SK Stiftung Kultur | August Sander Archive Cologne
August Sander and his wife Anna, Linz 1905
Peasant Children, Westerwald, 1931
Dr. Lu Strauss Ernst, divorced wife of painter Max Ernst, with her son, France, 1928
Member of a Nuremberg Student Corps, 1928
Unemployed Man, 1928
Tramps, 1930
Three Generations of a Farming Family, 1912
Son of the Cologne Brewer Friedrich Winter, 1926
Elegant Lady, 1928
Peasant Wife With Child, c. 1920s-1930s
Member of Hitler's SS Bodyguard, 1938
Circus Artiste, 1928
Children in a Fome for the Blind, Duren, 1930
Unemployed Woman Begging, 1929
Fitter, 1928
Peasant Girls, Westerwald, 1927
Varnisher, Cologne, 1932
Widower with Sons, Cologne, 1925
Peasant Child, 1925
Small-town Landlord, Herdorf, 1930
Student Teacher, Westerwald, 1929
Art Dealer, Sam Salz, 1927
Dusseldorf Painter, Jankel Adler, 1927
Chemist, Sepp Malichar, 1921
Composer, Paul Hidemith, 1925
Businessman and Democratic Party Parliamentarian, Johaness Scheerer, 1928
Painters Gottfried Brockmann and Willi Bonguard, 1924
Inventor and Dadaist, Raoul Hausmann, 1928
Sculptor, Louis Ambrosi, Lower Rhine, 1938
Gypsy, 1931
Painter Anton Räderscheidt with Martha Hegemann, 1926
Painter Anton Raderscheidt, 1925

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