We need your help! Donate and #SAVESIDE

Amberside Collection

The AmberSide Collection is a vast body of documentary photography and film dedicated to preserving the working-class experience. Featuring over 20,000 photographs and 100 films, it captures social and industrial life in the North East of England and beyond, with contributions from both local and internationally renowned photographers and filmmakers.

Founded in 1968 by Murray Martin, the Amber Film & Photography Collective set out to create a lasting record of working-class culture. The collection includes works documenting key aspects of everyday life, social struggles, and industrial change. It also features historic projects such as The Building of the Tyne Bridge and the photography of Jimmy Forsyth.

Side’s values are rooted in a concern for working-class, marginalised, or threatened lives and landscapes, both in the UK and abroad. Housed at Side and safeguarded by the AmberSide Trust, the collection remains a vital cultural resource, ensuring that the social history of the North East and wider working-class communities is preserved for future generations.

Seacoal (1985)

Seacoal (1985)

Amber Films

Film and Video

Amber's first feature drama, blending fiction with documentary realism to portray the seacoaling community on Lynemouth Beach, Northumberland.
Seacoalers

Seacoalers

Mik Critchlow

Photographic

Photographed between 1981 and 1983, Seacoalers documents life on Lynemouth Beach, where Mik Critchlow gained rare access to a tight-knit community harvesting coal from the shore.
Seafarers

Seafarers

Mik Critchlow

Photographic

A 1987 commission documenting the lives of merchant seamen and the escalating industrial dispute of 1988, photographed by former seafarer Mik Critchlow.
Shields Stories (1988)

Shields Stories (1988)

Amber Current Affairs Unit

Film and Video

A ten-part series of short drama films made during Amber’s North Shields residency, Shields Stories explores local lives shaped by economic cuts, social change and resilience.
Shipbuilding on the Tyne

Photographic

An extensive documentation of the shipbuilding industry along the River Tyne, taken at a time when this industry was threatened in the first wave of Conservative government deindustrialisation.
Shooting Magpies (2005)

Film and Video

Shot on digital video, the final feature drama in the Coalfield Trilogy, Shooting Magpies looks at the impact of heroin addiction on a community grappling with the loss of its industrial identity.
Six to Midnight (1974)

Film and Video

A day in the life of Newcastle upon Tyne, with the Grainger Market at its heart. Commissioned by Newcastle City Council to showcase activity in the city during the 1970s.
Smith's Dock, North Shields

Photographic

Photographs of Smith’s Dock, North Shields, taken in 1990/91, documenting a threatened shipyard and its remaining workforce, commissioned as part of Amber’s five-year residency in the town.
Somewhere Called Home

Somewhere Called Home

Steve Conlan

Photographic

A 1985 to 1986 photographic exploration of homelessness and traveller communities in Liverpool, rejecting stereotypes in favour of a more honest and humanising perspective.

Visual Culture

Slide sets of original photography & copied imagery, an extraordinary library originally developed in the 1970s & 80s for higher education: a rich and surprising celebration of C19th & C20th iconography.

Visual Culture Slides

Licensing & Usage Requests

Photographic exhibitions, videos, clips, trailers and each month's featured film are free. For personal use Amber's feature dramas, feature documentaries and film shorts are available as pay per view. See details of our Educational Screening Licence or contact us.

Make a request